If you want to memorize the Count on Me lyrics then you are in the right place. Such awesome lyrics that make us feel brighter and crazy. The most awaited Count on Me song was released on November 7, 2011. The Count on Me Song is a beautiful composition and the Count on Me Song is sung by Bruno Mars.
You can count on me, 'cause I can count on you Count on Me Lyrics - Overview You'll always have my shoulder when you cry 'Cause that's what friends are supposed to do, oh yeahĪnd if you ever forget how much you really mean to me When we are called to help our friends in need If you ever find yourself lost in the dark and you can't see Grohl found it funny enough that he agreed to appear in the series, but not funny enough not to cash it in for a remix of “Making a Fire” on the Foos’ latest album.If you ever find yourself stuck in the middle of the sea “So I went on the internet and printed up a very cheesy gift certificate-like template and I just wrote, ‘Good for one remix for any Foo Fighters song’ and I sent it through a friend,” Ronson recalls. One guest that surprisingly wasn’t on his speed dial was Grohl, whose rock remix of Puff Daddy’s “It’s All About the Benjamins” has been a staple of Ronson’s DJ set for over two decades. Most of the guests he found in his own Rolodex, including McCartney, who appears several times throughout the program, including discussing his pioneering work in sampling and the use of the synthesizer on the Beatles’ “Maxwell’s Silver Hammer” and “Strawberry Fields Forever.” “If you have Sir Paul McCartney, you’re going to obviously try and get him in as many episodes as possible,” Ronson laughs. “So we just started writing a dream list of people to speak to.” “There’s not one piece of exciting music from the past 60 years that doesn’t incorporate one of those things in certain ways,” he says. On “Watch the Sound,” which he created with the documentary filmmaker Morgan Neville, he expands a concept first broached in his popular TED talk “ How Sampling Changed Music,” to include the innovations and applications of Auto-Tune, the drum machine, synthesizers, distortion and reverb.Īcting like a modern Leonard Bernstein, Ronson uses examples from his own Grammy- and Oscar-winning catalogue as well as guest appearances by friends and colleagues including Paul McCartney, Questlove, Dave Grohl and the Beastie Boys, to illustrate just how each technology revolutionized modern music. “I just pictured, like, the crowd looking at me and, like, being like ‘Really bro, like in 2021 you’re still playing this song?’ And sure enough, I put on the track and everybody kind of rushed the dance floor.”Īlongside a return to DJing, Ronson has recently added the title of host to his consistently expanding multi-hyphenate descriptor. This insecurity reached a boiling point when he queued up “Uptown Funk.” “At times during the pandemic, my ego and confidence took a bit of a beating and I was terrified,” he says. The track, titled “Uptown Funk,” would go on to be the biggest song of Ronson’s career: a standard at weddings and perpetual musical touchstone of the 21st century.Įarlier this month, Ronson was set to DJ for the first time in “510 days exactly” when the memory of his time in Toronto came back to him. “I think we needed the magic of Toronto.” “I think at that point we had the verse and we just really needed to just lock in the last little bit. “That’s really where the song was finally finished,” Ronson says. In Toronto, the pair set up shop at Cherry Beach studios, where Mars would show up after finishing his nightly set at the Air Canada Centre to work. Ronson, who just two days earlier had passed out in a restaurant bathroom due to stress over finishing the track, grabbed his five-string bass and headed for the airport.
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“Sometimes we’d hit this wall and Bruno would look at me and be like, ‘Man, it breaks my heart, but maybe we’re just like never gonna finish this song,’” Ronson recalls during a recent interview from his New York home in support of his new Apple TV Plus series, “Watch the Sound.” “I’d wait like two months so everyone’s temper is like cooled down and be like ‘Hey, Bruno, where you at? Let me just come out.’”Īs fate would have it, when he called this time, Mars was headed to Toronto for a two-night stand. But despite his best efforts something was continually missing. At the time, Ronson had been working on and off for nearly nine months with the pop star Bruno Mars on a song he believed could be a smash. In July of 2014, Mark Ronson, the DJ, songwriter and producer behind hits for Amy Winehouse, Lady Gaga and Adele, boarded a last-minute flight from New York to Toronto.